Monday, November 30, 2009

December Technique

A brief introduction (subtitled It's Not All My Fault)

Its not just me.  Most of us have arrived at the 'art' we are doing now via a long experimental road through a myriad of crafts. In our excitement over the new craft we went out and bought all the whiz bang supplies to go with it - then eventually tired of it in time and moved onto the next big thing.  Problem was we still had copious supplies of our previous addiction that sat and gathered dust as we went out and purchased new supplies for our new addiction.


Over the years I have given away all my porcelain doll supplies, fabric and lace from sewing, quiliting and cloth dolls - but still have boxes and boxes of threads from counted cross stitch and dyes from the cloth dolls.  In one of my many studio re-organisations and clean ups I came across the dyes and a light bulb went on only and 8watt one mind, but a glimmer of an idea nonetheless.

Nothing was done about it for a few weeks till a friend came to stay and I mentioned it to her... we spent a very enjoyable (and very messy) day playing and ended up with some gorgeous papers which I then glued to ATC blanks for future use.  This tutorial is borne of that day.


SUPPLIES FOR PAPER BACKGROUNDS
  • Assorted blank paper (copy paper, watercolour paper, cartridge paper even white adhesive labels work)
  • mica pigments (pearlex, luminarte, perfect pearls. Moon Glows)
  • fabric and/or silk dyes
  • fine mist spray bottles
  • water
  • gloves (not a good idea to do this with bare hands!)
  • newspaper for your table top (again not a good idea to skip the newspaper  LOL)
  • baby wipes or paper towels for cleanup
Note:  you can also use mica sprays if you have then on hand.. I had some Starburst Stains, Glitz Spritz and Moonglow mist that I used as well

Mixing The Colours
Into an empty spray bottle add some mica pigments - how much you add will depend on the size of the bottle.  For a 2oz (60ml) bottle I added a goodly slightly heaped teaspoon.
Next I poured in some liquid fabric dye - enough to about 1/4 to 1/3 fill the bottle.  Then top it up with warm water, cap it and shake it like mad to mix it all together. It needs to be warm water to get the pigments mixed together  so they don't clog your spray bottle

If you are using Ranger mini mister spray bottles go for the same quantities Tim suggests (one scoop on the end of paddle pop stick, and eyedropper of dye (instead of the ink) and then top with water).
How concentrated you want your colour is all in how much you add... if you want a softer  colour - add more water less dye.  If you want a really rich colour add more dye less water - the 'recipe' above will give you a rich concentrated colour.

With the fabric or silk dyes you can also mix the colours just like in the primaries.. a bit of red and blue dye will give you purple, yellow and blue = green and red and yellow will give you orange.   Orange dye with copper pigments was super yummy, and purple dye with green pigments looked great too.  I also loved the green dye with copper pigments.. YUMMY!


Spraying The Paper - Step One
When you spray the paper, don't do a light coat all over and then add more other colours on top - it will all meld into a turgid solid sort of goopy colour (very technical term).






Choose two or three or four colours that you like and spray the first one (doesnt matter which) into patches on your paper... then on 1/3 of the remaining white paper spray your second colour and on the last third spray the third colour. If you have chosen four colours work in 1/4's



Dont worry if it 'beads' on the paper, it will settle and soak in.. I find its best too be quite liberal too - more is def better than a light mist.. you need it WET.  Let the spray pool on the paperand put aside to soak in and dry.  If you are in a hurry you can use a heat gun - it will give you interesting effects as your push the pooled spray around the paper with the force of the heat gun.


For the paper to the right I sprayed first with green, then with orange and lastly with yellow (all with the gold or copper mica pigments in them.
When it was at the stage in the fourth pic, I picked it up and let the edges of the pools run into each other around the page, floating one colour over the other, then I put it aside to dry.




From here you have several options:  You can consider it finished and do more on it when use it as a background or:

Optional
Once the dye is no longer in pools on the paper, take a mask, punchinella or the like and lay it on your paper, press down firmly or roll with brayer (you dont want the spray under it) then spray some  more with your darkest colour you used, over the mask and lift off.  Dont introduce a new colour - just use the darkest of your three colour already used.

Note:  Your paper MUST be totally dry before you do this, if its still damp you will get blurred, blotter paper type edges on the mask. Best to make the paper one day and mask it the next.

In these pics I used Tim Holtz Mask and oversprayed with green, When you lift it off the mask retains the colour it was masking and the area around it is just a darker green.

Another option is to stamp on it randomly with a stamp in either gold or silver inkpad, depending on your chosen colours in the paper.

The papers themselves are much more shimmery than they appear here too - unfortuneatly the mica pigments dont photograph very well.. the pics to the right are actually of paper that is very shimmery emerald green and purple.. the dotty look you see is the mica on paper.

Once your paper is totally dry you can adhere it to cardstock to use as ATC or card backgrounds. I'm not a card person.. so I played some more and made up a batch of ATCs... I will upload pics of them in  a day or two

P.S You REALLY should wear gloves :-)




Monday, November 2, 2009

BRITE SHINE TECHNIQUE

My apologies folks...I am a little late in getting my tech tute up this month...life has turned hectic here since I returned from over-seas and I have had to dig deep to find my muse...then put a tight rein on her to keep her with me...vbg.
However, I hope you find this month's tute worth having a go...you could save heaps on buying those special papers with this technique!

This technique can be found in Bernie Berlin's Book "Artist Trading Card Workshop". However, I have done it a little differently on a couple of them.
The ATC on the left has the basic Brite Shine rubbed back-ground. The right one has been stamped and rubbed over with an Oil Pastel and on the lower one, I used a glue stick to select shapes AFTER I used the Brite Shine, where Bernie suggested to do it before-hand.

I was also going to do the Citra Clean technique as well as the Brite Shine one, but I have misplaced my bottle of same and our Woolworth's no longer stock it. Again, my apologies to those who were looking forward to seeing it done.

Requirements.



For this technique you will need the following items.

1.Tin of Brite Shine (available from Big W or other car parts suppliers)
2.Images from a magazine with shiny pages. (I used a Woman's Weekly.)
3.Oil Pastels
4.Stamp and Ink of your choice.
5.Glue Pen of your choice.
6.Cardboard ATC Frame Template
7.Images for the finished ATC.
8.Transdermal Applicator.

Apply Brite Shine


Brite Shine consists of polish infused wool. It is a metal polish, used for polishing chrome and other metals.

Simply pull out a small wad of wool and begin rubbing over the area. You will see it blurs the images. You can rub as much or as little as you want  until you have the effect that you like.

Outline Shapes


After rubbing with Brite Shine to your liking, if you can see shapes still on the paper, you can go around them with a glue pen. If there are no evident shapes, you can simply make some of your own anyway.
Here I was able to select the leaf shapes.
Let the glue dry completly, then rub over the entire area with an Oil Pastel and smear with your "transdermal applicator". Use a darker Pastel to go over the raised shapes. As you can see here, I also used the yellow to pick out some lighter areas.

This is the ATC I made using the above paper. Unfortunately you can't see the effect of the glue shapes. I found the mouth and the cake "hat" in a magazine, as well as the stripe strip and the star strip. The stripes are taken from the Puzzles area and the stars from the Psychic Advertising area of a Woman's Weekly. She is finished off with dots using a white Gel pen and some text.

Stamp and Colour


After selecting the area you want to use as your finished background by placing the ATC frame template over it, stamp using your choice of stamp and colour ink. Then, using an Oil Pastel in a contrasting colour, scribble some shapes onto the stamped area. Rub with your "transdermal applicator" to smear it over the area.




Cut to ATC size and adhere to an ATC back, then add your images. Here is my finished ATC. Unfortunately the copper coloured stamping doesn't show up in the picture, but it is on the top right hand side.

I added a scrap of music sheet to the top and bottom of the ATC, distressed with Ranger Distress Ink, added eyes from a face out of a magazine and both sets of the wings are 3D mounted. I finished it off by adding the dots with a black Pitt Pen and some text, which is also distressed.